With thanks to Penelope Courtney and all the contributors. In progress.<\/p>\n\n\n\n
| Year<\/th> | Month<\/th> | Day<\/th> | City<\/th> | Venue\/Event<\/th> | Country<\/th> | Booking<\/th> | Line up<\/th> | Notes<\/th>\n<\/tr>\n<\/thead>\n |
|---|---|---|---|---|---|---|---|---|
| 1980<\/td> | October<\/td> | 17<\/td> | Sydney<\/td> | ICE<\/td> | Australia<\/td> | ICE<\/td> | w. Negative Reaction<\/td> | -- FIELDING & ELLARD IN -- \nFIRST SHOW<\/td>\n<\/tr>\n |
| 1981<\/td> | January<\/td> | 3<\/td> | Sydney<\/td> | ICE<\/td> | <\/td> | ICE<\/td> | w. Laughing Hands<\/td> | \"Nightsong\" recorded<\/td>\n<\/tr>\n |
| 1981<\/td> | January<\/td> | 16<\/td> | Sydney<\/td> | ICE<\/td> | <\/td> | ICE<\/td> | w. ZGlutz & Mice Against God, Even Orchestra<\/td> | -- FIELDING OUT --<\/td>\n<\/tr>\n |
| 1981<\/td> | May<\/td> | 7<\/td> | Sydney<\/td> | Exiles Bookshop \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | w. Hiroshima Chair.<\/td> | John Laidler guest guitar<\/td>\n<\/tr>\n |
| 1981<\/td> | July<\/td> | 18<\/td> | Sydney<\/td> | Filmmaker's CoOp \ud83e\udea3<\/td> | <\/td> | ICE<\/td> | w. Hiroshima Chair.<\/td> | John Laidler guest guitar<\/td>\n<\/tr>\n |
| 1982<\/td> | January<\/td> | 17<\/td> | Sydney<\/td> | Entertainers Club \ud83e\udea3<\/td> | <\/td> | Graham Brown \"Last Resort\"<\/td> | w. Fetus Productions, ZGlutz, Industrial Fracture<\/td> | -- BRADBURY IN -- \nFetus let off smoke bomb, gig ended<\/td>\n<\/tr>\n |
| 1982<\/td> | March<\/td> | 19<\/td> | Melbourne<\/td> | Killayoni Club<\/td> | <\/td> | Killayoni Club<\/td> | w. SW SW THRGHT & The Incredibly Strange Creatures Who Stopped Living & Became Mixed Up Zombies<\/td> | <\/td>\n<\/tr>\n |
| 1982<\/td> | March<\/td> | 20<\/td> | Melbourne<\/td> | Killayoni Club<\/td> | <\/td> | Killayoni Club<\/td> | w. SW SW THRGHT, Cutting People Up<\/td> | <\/td>\n<\/tr>\n |
| 1982<\/td> | April<\/td> | 4<\/td> | Sydney<\/td> | Stranded \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Stranded<\/td> | w. SPK<\/td> | \"Rocket Summer\" recorded<\/td>\n<\/tr>\n |
| 1982<\/td> | April<\/td> | 17<\/td> | Sydney<\/td> | Mosman Hotel \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | >^><\/td> | w. >^><\/td> | \"Where's ya drummer?\"<\/td>\n<\/tr>\n |
| 1982<\/td> | April<\/td> | 30<\/td> | Sydney<\/td> | Stranded<\/td> | <\/td> | Stranded<\/td> | w. The Models<\/td> | \"You can only use the blue lights\"<\/td>\n<\/tr>\n |
| 1982<\/td> | July<\/td> | 4<\/td> | Sydney<\/td> | Stranded<\/td> | <\/td> | Stranded<\/td> | <\/td> | \"Elephant Decibels\" recorded<\/td>\n<\/tr>\n |
| 1982<\/td> | July<\/td> | ?<\/td> | Sydney<\/td> | Metro Screen \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Metro Screen<\/td> | w. Stephen Jones demo videosynthesiser<\/td> | -- JONES IN -- \n\"Future Screen\"<\/td>\n<\/tr>\n |
| 1982<\/td> | July<\/td> | 22<\/td> | Sydney<\/td> | Musicians Club \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | \"Edward Zimblis\" (Ken West)<\/td> | w. The Fall, Scapa Flow<\/td> | \"Yes we have a drum player\"<\/td>\n<\/tr>\n |
| 1982<\/td> | August<\/td> | 1<\/td> | Sydney<\/td> | Stranded<\/td> | <\/td> | Stranded<\/td> | w. No Actresses.<\/td> | -- DEERING IN --<\/td>\n<\/tr>\n |
| 1982<\/td> | November<\/td> | 3<\/td> | Sydney<\/td> | Stranded \ud83e\udea3<\/td> | <\/td> | Stranded<\/td> | w. Fetus Productions<\/td> | <\/td>\n<\/tr>\n |
| 1982<\/td> | November<\/td> | 7<\/td> | Sydney<\/td> | Exit<\/td> | <\/td> | <\/td> | w. Rush String Quartet, Climbing Frame<\/td> | (gig cancelled, venue closed)<\/td>\n<\/tr>\n |
| 1982<\/td> | ?<\/td> | ?<\/td> | Sydney<\/td> | 2MBS-FM<\/td> | <\/td> | The Cassette Show?<\/td> | <\/td> | live-to-air performance<\/td>\n<\/tr>\n |
| 1983<\/td> | January<\/td> | 30<\/td> | Sydney<\/td> | Art Unit<\/td> | <\/td> | Art Unit<\/td> | w. Bring Philip, Climbing Frame<\/td> | -- BRADBURY OUT --<\/td>\n<\/tr>\n |
| 1983<\/td> | March<\/td> | 5<\/td> | Sydney<\/td> | Art Unit<\/td> | <\/td> | Art Unit<\/td> | w. Essendon Airport, Go Back To Your Precious Wife and Son, SW SW THRGHT, Kurt Volentine.<\/td> | <\/td>\n<\/tr>\n |
| 1983<\/td> | March<\/td> | 25<\/td> | Sydney<\/td> | Trade Union Club<\/td> | <\/td> | <\/td> | w. The Reels, Essendon Airport, Go Back To Your Precious Wife And Son<\/td> | <\/td>\n<\/tr>\n |
| 1983<\/td> | April<\/td> | 24<\/td> | Sydney<\/td> | Trade Union Club \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Sedition Festival<\/td> | w. Great White Noise, Funny Stories, Sketches, Plan B<\/td> | <\/td>\n<\/tr>\n |
| 1983<\/td> | July<\/td> | 18<\/td> | Sydney<\/td> | ABC Studios 211<\/td> | <\/td> | 2JJJ-FM<\/td> | Live At The Wireless<\/td> | Also on compilation 12\" EP<\/td>\n<\/tr>\n |
| 1983<\/td> | August<\/td> | 13<\/td> | Sydney<\/td> | Art Unit<\/td> | <\/td> | Art Unit<\/td> | w. Scattered Order<\/td> | \"Art Unit Benefit\"<\/td>\n<\/tr>\n |
| 1983<\/td> | August<\/td> | 17-27<\/td> | Sydney<\/td> | Art Unit<\/td> | <\/td> | Art Unit<\/td> | Jan Hubrechson<\/td> | \"Mandarin Road\" a stage play.<\/td>\n<\/tr>\n |
| 1983<\/td> | November<\/td> | 9<\/td> | Sydney<\/td> | 2MBS-FM<\/td> | <\/td> | Contemporary Editions<\/td> | <\/td> | \"Nothing on 45\"<\/td>\n<\/tr>\n |
| 1983<\/td> | November<\/td> | 13<\/td> | Sydney<\/td> | Trade Union Club<\/td> | <\/td> | Art Unit<\/td> | w. Wet Taxis, Swinging Moods, Climbing Frame<\/td> | \"The Art Bunker Hangover\"<\/td>\n<\/tr>\n |
| 1983<\/td> | December<\/td> | 2<\/td> | Sydney<\/td> | 2MBS-FM<\/td> | <\/td> | Green Tea<\/td> | <\/td> | \"Green Tea\" program <\/td>\n<\/tr>\n |
| 1984<\/td> | January<\/td> | 21<\/td> | Sydney<\/td> | Trade Union Club<\/td> | <\/td> | <\/td> | w. Scattered Order, Moral Fibro, Instant Unit<\/td> | <\/td>\n<\/tr>\n |
| 1984<\/td> | March<\/td> | 3<\/td> | Sydney<\/td> | Red Eye Records<\/td> | <\/td> | Red Eye Shop<\/td> | (in-store performance)<\/td> | <\/td>\n<\/tr>\n |
| 1984<\/td> | March<\/td> | 12<\/td> | Adelaide<\/td> | Adelaide Festival Ampitheatre<\/td> | <\/td> | <\/td> | I think I demonstrated a portable version of videosynthesiser made by SJ?<\/td> | <\/td>\n<\/tr>\n |
| 1984<\/td> | April<\/td> | 7<\/td> | Sydney<\/td> | San Miguel Tavern\ud83e\udea3<\/td> | <\/td> | <\/td> | <\/td> | --KNUCKEY -- \nGarry dumped tape all over somebody's head, we were booted off<\/td>\n<\/tr>\n |
| 1984<\/td> | May<\/td> | 11<\/td> | Sydney<\/td> | Ozone \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | Carrington Hotel<\/td> | <\/td>\n<\/tr>\n |
| 1984<\/td> | May<\/td> | 25<\/td> | Sydney<\/td> | Ozone \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | Carrington Hotel<\/td> | <\/td>\n<\/tr>\n |
| 1984<\/td> | August<\/td> | 1<\/td> | Sydney<\/td> | Chevron Hotel Kings X<\/td> | <\/td> | Necropolis Richard Abraxas<\/td> | w. ZGlutz<\/td> | \"Grand opening\" played in a ditch below audience<\/td>\n<\/tr>\n |
| 1984<\/td> | October<\/td> | 9-21<\/td> | Sydney<\/td> | Performance Space<\/td> | <\/td> | <\/td> | \"Death of Cook\" by Jan Hubrechson<\/td> | \"Gashing The Old Mae West\"<\/td>\n<\/tr>\n |
| 1985<\/td> | February<\/td> | 23<\/td> | Sydney<\/td> | Ozone<\/td> | <\/td> | <\/td> | w. Single Gun Theory<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | March<\/td> | 11<\/td> | Sydney<\/td> | Kommotion Klub<\/td> | <\/td> | Kommotion Klub<\/td> | <\/td> | --DEERING and BRADBURY OUT --<\/td>\n<\/tr>\n |
| 1985<\/td> | March<\/td> | 22<\/td> | London<\/td> | ICA \ud83d\udc4d\ud83c\udffc\ud83e\udea3<\/td> | UK<\/td> | ICA<\/td> | w. Hula, Danielle Dax<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | April<\/td> | 9<\/td> | Sheffield<\/td> | Leadmill<\/td> | <\/td> | Leadmill<\/td> | w. Hula, Fabricata Illuminata<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | May<\/td> | ?<\/td> | Brighton<\/td> | (under the arches, beach front)<\/td> | <\/td> | ?<\/td> | It was some kind of video collective<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | May<\/td> | 31<\/td> | London<\/td> | Everyman Cinema\ud83e\udea3<\/td> | <\/td> | Everyman Cinema<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | June<\/td> | 6<\/td> | Vancouver<\/td> | Luv A Fair<\/td> | Canada<\/td> | Nettwerk<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | October<\/td> | 4<\/td> | Sydney<\/td> | Graphic Arts Club<\/td> | Australia<\/td> | Volition<\/td> | w. Scattered Order, Famous<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | October<\/td> | 5<\/td> | Canberra<\/td> | ANU Bar<\/td> | <\/td> | Volition<\/td> | w. Scattered Order, Still Life<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | October<\/td> | 9<\/td> | Melbourne<\/td> | The Club<\/td> | <\/td> | Volition<\/td> | w. Scattered Order<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | October<\/td> | 11<\/td> | Melbourne<\/td> | Prince of Wales Hotel<\/td> | <\/td> | Volition<\/td> | w. Scattered Order<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | October<\/td> | 19<\/td> | Brisbane<\/td> | Sensoria<\/td> | <\/td> | Volition<\/td> | w. Scattered Order<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | October<\/td> | 24<\/td> | Sydney<\/td> | Piccadilly Hotel<\/td> | <\/td> | Volition<\/td> | w. Scattered Order<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | October<\/td> | 25<\/td> | Sydney<\/td> | Wentworth Building<\/td> | <\/td> | Volition<\/td> | w. Scattered Order<\/td> | <\/td>\n<\/tr>\n |
| 1985<\/td> | October<\/td> | 26<\/td> | Newcastle<\/td> | Uptown Circus<\/td> | <\/td> | Volition<\/td> | w. Scattered Order<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | March<\/td> | 21,22<\/td> | Sydney<\/td> | The Performance Space\ud83e\udea3<\/td> | <\/td> | <\/td> | w. Mind Body Split<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | July<\/td> | 8<\/td> | Melbourne<\/td> | User's Club<\/td> | <\/td> | <\/td> | <\/td> | -- CARNAC IN -- \n(Start of The Big Bigot tour)<\/td>\n<\/tr>\n |
| 1986<\/td> | July<\/td> | 9<\/td> | Melbourne<\/td> | New Music Station<\/td> | <\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | August<\/td> | 8,9<\/td> | Sydney<\/td> | Chauvel Cinema \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Chauvel<\/td> | w. Built In Ghosts, Ian Andrews (video installations)<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | August<\/td> | 19<\/td> | Sydney<\/td> | ABC-TV \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | ABC-TV<\/td> | Broadcast<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 5,6<\/td> | Vancouver<\/td> | S.U.B. Ballroom<\/td> | Canada<\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 12<\/td> | Edmonton<\/td> | S.U.B. Ballroom<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 13<\/td> | Calgary<\/td> | MacEwan Hall<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 18<\/td> | Saskatoon<\/td> | Broadway Theatre<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | (Gig abandoned - audience riot)<\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 19<\/td> | Regina<\/td> | Uni<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 20<\/td> | Winnipeg<\/td> | Le Rendezvous<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 24<\/td> | Waterloo<\/td> | Federation Hall<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 25<\/td> | Toronto<\/td> | RPM \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | \"Puppydog!\"<\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 26<\/td> | Windsor<\/td> | Windsor Arena<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | \"It's all fucking ice\"<\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 28<\/td> | Quebec City<\/td> | L'Anglicane<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 29<\/td> | Montreal<\/td> | Foufounes Electriques \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Nettwerk<\/td> | w. Skinny Puppy<\/td> | \"Jem Apple Monsure Pampla Moose\"<\/td>\n<\/tr>\n |
| 1986<\/td> | September<\/td> | 30<\/td> | Montreal<\/td> | CBC Radio<\/td> | <\/td> | Nettwerk<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 8<\/td> | Barcelona<\/td> | Studio 54<\/td> | Spain<\/td> | <\/td> | w. Chameleons<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 9,10<\/td> | Madrid<\/td> | Universal\ud83e\udea3<\/td> | <\/td> | <\/td> | w. Chameleons<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 11<\/td> | Valencia<\/td> | <\/td> | <\/td> | <\/td> | <\/td> | (Tour derailed by robbery, back to UK)<\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 17<\/td> | Linz<\/td> | PostHof \ud83d\udc4d\ud83c\udffc<\/td> | Austria<\/td> | <\/td> | w. Wire<\/td> | -- JONES OUT TEMP --<\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 18<\/td> | Munich<\/td> | Alabamahalle<\/td> | Germany<\/td> | <\/td> | \"Underground Festival\" w. Wire, Inca Babies<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 19<\/td> | Berlin<\/td> | Metropol<\/td> | Germany<\/td> | <\/td> | w. Wire<\/td> | \"Who stole my coat?\"<\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 20<\/td> | Hamburg<\/td> | Kir \ud83e\udea3<\/td> | Germany<\/td> | <\/td> | w. Skinny Puppy<\/td> | no video<\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 21<\/td> | Bochum<\/td> | Logo \ud83e\udea3<\/td> | Germany<\/td> | <\/td> | w. Skinny Puppy<\/td> | no video<\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 22<\/td> | Hannover<\/td> | Bad Club<\/td> | Germany<\/td> | <\/td> | <\/td> | (Outside show washed out)<\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 23<\/td> | Aachen<\/td> | Metropol \ud83d\udc4d\ud83c\udffc<\/td> | Germany<\/td> | <\/td> | w. Skinny Puppy, A;Grumh<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 24<\/td> | Amsterdam<\/td> | De Pelikaan<\/td> | Holland<\/td> | n l centrum<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 25<\/td> | Breda<\/td> | Para \ud83e\udea3<\/td> | Holland<\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 27<\/td> | Cologne<\/td> | Rose Club \ud83e\udea3<\/td> | Germany<\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 28<\/td> | Nijmegen<\/td> | Diogenes<\/td> | Holland<\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 29<\/td> | Den Haag<\/td> | Trojan Horse \ud83e\udea3<\/td> | Holland<\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 30<\/td> | Pforzheim<\/td> | Skandal<\/td> | Germany<\/td> | <\/td> | <\/td> | (Car breaks down halfway)<\/td>\n<\/tr>\n |
| 1986<\/td> | October<\/td> | 31<\/td> | Ravensburg<\/td> | Jugendhaus<\/td> | Germany<\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 1<\/td> | Zurich<\/td> | Rote Fabrik<\/td> | Switzerland<\/td> | <\/td> | w. Skinny Puppy, A;Grumh<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 2<\/td> | Hannover<\/td> | <\/td> | Germany<\/td> | <\/td> | <\/td> | (Return show)<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 3<\/td> | Frankfurt<\/td> | Batschkapp<\/td> | Germany<\/td> | <\/td> | w. Skinny Puppy, A;Grumh<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 4<\/td> | Munich<\/td> | Manege<\/td> | Germany<\/td> | <\/td> | w. Skinny Puppy, A;Grumh, Snowy Red<\/td> | (a BRAP)<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 6<\/td> | Ljubljana<\/td> | \ud83e\udea3\ud83e\udea3\ud83e\udea3\ud83e\udea3\ud83e\udea3\ud83e\udea3\ud83e\udea3\ud83e\udea3<\/td> | Yugoslavia<\/td> | <\/td> | w. Cassandra Complex, UK Subs<\/td> | \"It is OK. He is in hospital\"<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 7<\/td> | Lausanne<\/td> | Dolce Vita\ud83e\udea3<\/td> | Switzerland<\/td> | <\/td> | w. Cassandra Complex?<\/td> | -- CARNAC OUT --<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 8<\/td> | Fribourg<\/td> | Frison\ud83e\udea3<\/td> | Switzerland<\/td> | <\/td> | w. Cassandra Complex<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 10<\/td> | Brussels<\/td> | Schaerbeek<\/td> | Belgium<\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 14<\/td> | Halifax<\/td> | Flamingo<\/td> | Canada<\/td> | <\/td> | w. Skinny Puppy<\/td> | -- JONES IN --<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 16<\/td> | Toronto<\/td> | RPM<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | A sunday matinee<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 17<\/td> | Ottawa<\/td> | Porter Hall<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | \"Who stole my jumper?\"<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 20<\/td> | Boston<\/td> | Paradise Club<\/td> | USA<\/td> | <\/td> | w. Skinny Puppy<\/td> | \ud83e\udda0Tom sick :-\/<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 22<\/td> | New York<\/td> | The Cat Club<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | \ud83e\udda0<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 23<\/td> | Richmond<\/td> | The Pyramid Club<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 24<\/td> | Washington DC<\/td> | 9:30 Club \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | \"Hey no fighting - we're not AC\/DC\"<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 25<\/td> | Cleveland<\/td> | Peabody's Down Under<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 26<\/td> | Detroit<\/td> | St. Andrew's Hall<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 28<\/td> | Chicago<\/td> | Metro<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | \ud83e\udda02 shows<\/td>\n<\/tr>\n |
| 1986<\/td> | November<\/td> | 30<\/td> | Minneapolis<\/td> | First Avenue<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | December<\/td> | 1<\/td> | Memphis<\/td> | Antenna<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | December<\/td> | 2<\/td> | Atlanta<\/td> | 688 Club<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | December<\/td> | 4<\/td> | Baton Rouge<\/td> | Neimans<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | December<\/td> | 6<\/td> | Oklahoma City<\/td> | The Bowery<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | December<\/td> | 10<\/td> | Los Angeles<\/td> | The Roxy \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | Pink sparkle jumper<\/td>\n<\/tr>\n |
| 1986<\/td> | December<\/td> | 11<\/td> | San Franciso<\/td> | The Stone<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1986<\/td> | December<\/td> | 13<\/td> | Seattle<\/td> | Hub Ballroom\ud83e\udea3<\/td> | <\/td> | <\/td> | w. Skinny Puppy<\/td> | <\/td>\n<\/tr>\n |
| 1987<\/td> | October<\/td> | 9,10<\/td> | Melbourne<\/td> | Union Theatre<\/td> | Australia<\/td> | Union<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1987<\/td> | October<\/td> | 13<\/td> | Newcastle<\/td> | Newcastle University<\/td> | <\/td> | Union<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1987<\/td> | October<\/td> | 15,16<\/td> | Sydney<\/td> | Chauvel Cinema \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Chauvel<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1987<\/td> | October<\/td> | 20<\/td> | Bathurst<\/td> | Mitchell College<\/td> | <\/td> | Union<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1987<\/td> | October<\/td> | 25<\/td> | Adelaide<\/td> | Le Rox<\/td> | <\/td> | Woop Woop Festival<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1987<\/td> | October<\/td> | 28<\/td> | Armadale<\/td> | Uni New England<\/td> | <\/td> | Union<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1987<\/td> | October<\/td> | 29<\/td> | Surfers Paradise<\/td> | Surf Life Saving Club<\/td> | <\/td> | ?<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1987<\/td> | October<\/td> | 30<\/td> | Byron Bay<\/td> | Arts Factory\ud83e\udea3<\/td> | <\/td> | Arts Factory<\/td> | <\/td> | \"I came here for music - not this shit\"<\/td>\n<\/tr>\n |
| 1987<\/td> | October<\/td> | 31<\/td> | Brisbane<\/td> | Crystal Club<\/td> | <\/td> | ?<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1987<\/td> | November<\/td> | 7<\/td> | Canberra<\/td> | ANU<\/td> | <\/td> | Union<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1988<\/td> | February<\/td> | 13-21<\/td> | Melbourne<\/td> | Royal Showgrounds\ud83e\udea3<\/td> | \ud83e\udea3\ud83e\udea3\ud83e\udea3\ud83e\udea3\ud83e\udea3<\/td> | Ken West \"Music Expo\"<\/td> | 2 shows per day, 5 days<\/td> | \"We'll skip over the skulls if the kids get frightened\"<\/td>\n<\/tr>\n |
| 1988<\/td> | March ?<\/td> | ?<\/td> | Sydney<\/td> | Performance Space<\/td> | <\/td> | Australian Bicentennial Perspecta 87\/88<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1988<\/td> | May<\/td> | 18<\/td> | Sydney<\/td> | Biennale of Sydney \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Nick Waterlow<\/td> | \"Chasing Skirt\" Interactive installation<\/td> | \"Edmund Capon Floats In A Sea Of His Own Vomit\"<\/td>\n<\/tr>\n |
| 1988<\/td> | September<\/td> | 22,25<\/td> | Sydney<\/td> | Jamison St.\ud83e\udea3<\/td> | <\/td> | <\/td> | w. Diamanda Galas, Robert Racic<\/td> | \"You are yesterday's music\"<\/td>\n<\/tr>\n |
| 1988<\/td> | December<\/td> | 31<\/td> | Sydney<\/td> | Hordern Pavillion \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Recreational Arts Team<\/td> | w. Grace Jones<\/td> | Crowd stage invasion, was also broadcast live by 2JJJ-FM<\/td>\n<\/tr>\n |
| 1989<\/td> | January<\/td> | 13<\/td> | Sydney<\/td> | Paddington Town Hall<\/td> | <\/td> | Jacqui O?<\/td> | w. SPK<\/td> | <\/td>\n<\/tr>\n |
| 1989<\/td> | April<\/td> | 14<\/td> | Brisbane<\/td> | World Expo Fun Park<\/td> | <\/td> | Recreational Arts Team<\/td> | w. BoxCar<\/td> | <\/td>\n<\/tr>\n |
| 1989<\/td> | April<\/td> | 19<\/td> | Sydney<\/td> | Site \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Jacqui O \"Sensoria\"<\/td> | 'Electronic Bodymusic'<\/td> | <\/td>\n<\/tr>\n |
| 1989<\/td> | October<\/td> | 13<\/td> | Sydney<\/td> | Performance Space<\/td> | <\/td> | <\/td> | Fourth Australian Video Festival<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 6<\/td> | Vancouver<\/td> | Graceland<\/td> | Canada<\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 7?<\/td> | Victoria<\/td> | University?<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 9<\/td> | Portland<\/td> | Pine Street Theatre<\/td> | USA<\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 10<\/td> | Seattle<\/td> | Moore Theatre<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 13<\/td> | Palo Alto<\/td> | The Edge<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 15<\/td> | San Francisco<\/td> | I Beam<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 16<\/td> | Los Angeles<\/td> | Helter Skelter \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 17<\/td> | Laguna Beach<\/td> | Club Postnuclear<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 18<\/td> | San Diego<\/td> | Pirahna Room<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 20<\/td> | Tulsa<\/td> | TuCCA<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 21<\/td> | Dallas<\/td> | The Video Bar<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 22<\/td> | Houston<\/td> | Numbers<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 23<\/td> | New Orleans<\/td> | Max<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | ?<\/td> | Melbourne<\/td> | ?<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 26<\/td> | Orlando<\/td> | Visage<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 27<\/td> | Miami<\/td> | Club Nu<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | \"Just keep walking\"<\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 28<\/td> | Ybor City<\/td> | The Masquerade<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 29<\/td> | Atlanta<\/td> | The Masquerade<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 30<\/td> | Kansas City<\/td> | Human Observation Lab<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | March<\/td> | 31<\/td> | St. Louis<\/td> | 1227<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 3<\/td> | New Brunswick<\/td> | Club 375<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | Arpil<\/td> | 6<\/td> | Boston<\/td> | Axis<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 7<\/td> | Newark<\/td> | Pipeline<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 8<\/td> | Washington D.C.<\/td> | 9:30 Club<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 10<\/td> | New York<\/td> | Rapp Arts Center<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 12<\/td> | Cleveland<\/td> | Peabody's DownUnder<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 13<\/td> | Detroit<\/td> | Majestic Theatre<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 14<\/td> | Chicago<\/td> | Metro \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 17<\/td> | Pittburgh<\/td> | Metropol<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 20<\/td> | Ottawa<\/td> | Barrynore's Music Hall<\/td> | Canada<\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 21<\/td> | Montreal<\/td> | Les Foufounes Electriques<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1990<\/td> | April<\/td> | 22<\/td> | Toronto<\/td> | Diamond<\/td> | <\/td> | Nettwerk<\/td> | w. MC900FT Jesus<\/td> | <\/td>\n<\/tr>\n |
| 1991<\/td> | April-May<\/td> | 20-5<\/td> | Liverpool<\/td> | \"Video Positive\"<\/td> | UK<\/td> | <\/td> | \"Chasing Skirt\" Interactive installation - Stephen Jones rebuild<\/td> | -- only JONES --<\/td>\n<\/tr>\n |
| 1991<\/td> | November<\/td> | 30<\/td> | Sydney<\/td> | Phoenician Club \ud83d\udc4d\ud83c\udffc<\/td> | Australia<\/td> | Volition<\/td> | w. Boxcar, Single Gun Theory, The Lab<\/td> | -- MAC IN -- \n\"Technopop Live\"<\/td>\n<\/tr>\n |
| 1991<\/td> | December<\/td> | 5<\/td> | Perth<\/td> | Old Melbourne Hotel<\/td> | <\/td> | The Beat Room<\/td> | w. Boxcar, Single Gun Theory<\/td> | \"Technopop Tour\"<\/td>\n<\/tr>\n |
| 1991<\/td> | December<\/td> | ?<\/td> | Melbourne?<\/td> | ?<\/td> | <\/td> | ?<\/td> | \"<\/td> | \"<\/td>\n<\/tr>\n |
| 1991<\/td> | December<\/td> | 14<\/td> | Brisbane<\/td> | Metropolis Night Club<\/td> | <\/td> | Volition<\/td> | \"<\/td> | \"<\/td>\n<\/tr>\n |
| 1992<\/td> | April<\/td> | 3<\/td> | Sydney<\/td> | Phoenician Club<\/td> | Australia<\/td> | UTS Union<\/td> | w. Vision Four 5<\/td> | \"Robot Dreams\"<\/td>\n<\/tr>\n |
| 1993<\/td> | January<\/td> | 26<\/td> | Sydney<\/td> | Big Day Out \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | BDO<\/td> | w. Disposable Heroes of Hiphoprisy<\/td> | -- JONES OUT -- \nFirst electronic show at BDO<\/td>\n<\/tr>\n |
| 1994<\/td> | January<\/td> | 21<\/td> | Gold Coast<\/td> | Big Day Out \ud83e\udea3<\/td> | <\/td> | BDO<\/td> | w. South End<\/td> | \"The Boiler Room\"<\/td>\n<\/tr>\n |
| 1994<\/td> | January<\/td> | 23<\/td> | Melbourne<\/td> | Big Day Out<\/td> | <\/td> | BDO<\/td> | w. Vision Four 5, Ollie Olson, Snog<\/td> | <\/td>\n<\/tr>\n |
| 1994<\/td> | January<\/td> | 26<\/td> | Sydney<\/td> | Big Day Out \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | BDO<\/td> | w. Boxcar, Vision Four 5, Southend, The Lab<\/td> | <\/td>\n<\/tr>\n |
| 1994<\/td> | January<\/td> | 28<\/td> | Adelaide<\/td> | Big Day Out<\/td> | <\/td> | BDO<\/td> | w. Boxcar, Bliss<\/td> | <\/td>\n<\/tr>\n |
| 1994<\/td> | January<\/td> | 30<\/td> | Perth<\/td> | Big Day Out<\/td> | <\/td> | BDO<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 1994<\/td> | July<\/td> | 8<\/td> | Sydney<\/td> | Phoenician Club<\/td> | <\/td> | Halo Promotions<\/td> | w. Snog, The Lab, Pill Popper<\/td> | \"Spiral Circus\"<\/td>\n<\/tr>\n |
| 1994<\/td> | November<\/td> | 26<\/td> | Sydney<\/td> | The Metro WBGTD<\/td> | <\/td> | Halo Promotions<\/td> | w. Snog, Mystic Force, Zen Paradox<\/td> | \"Sensorama\"<\/td>\n<\/tr>\n |
| 1994<\/td> | Don't Know<\/td> | Don't Know<\/td> | Newcastle<\/td> | Bar On The Hill<\/td> | <\/td> | Halo Promotions<\/td> | w. Snog, Nasenbluten<\/td> | https:\/\/www.artskorps.org\/forum\/5-core-music\/18946-chroniques-de-mark-n.html<\/td>\n<\/tr>\n |
| 1995<\/td> | January<\/td> | 26<\/td> | Sydney<\/td> | Big Day Out<\/td> | <\/td> | BDO<\/td> | w. Itch-E and Scratch-E, Southend, SGT, Boxcar<\/td> | <\/td>\n<\/tr>\n |
| 1995<\/td> | January<\/td> | <\/td> | Auckland<\/td> | Big Day Out<\/td> | New Zealand<\/td> | BDO<\/td> | <\/td> | -- LAWLER --<\/td>\n<\/tr>\n |
| 1995<\/td> | June<\/td> | 2<\/td> | Perth<\/td> | Infirmary<\/td> | Australia<\/td> | Brainbender<\/td> | w. Itch-E and Scratch-E<\/td> | -- SUTHERS? --<\/td>\n<\/tr>\n |
| 1995<\/td> | June<\/td> | 3<\/td> | Perth<\/td> | Planet<\/td> | <\/td> | Brainbender<\/td> | w. Itch-E and Scratch-E<\/td> | <\/td>\n<\/tr>\n |
| 1995<\/td> | June<\/td> | 4<\/td> | Perth<\/td> | Newport<\/td> | <\/td> | Brainbender<\/td> | w. Itch-E and Scratch-E<\/td> | <\/td>\n<\/tr>\n |
| 1995<\/td> | June<\/td> | 10<\/td> | Hobart<\/td> | Uni of Tasmania Bar<\/td> | <\/td> | Adrenaline & Malfunktion<\/td> | w. Itch-E and Scratch-E<\/td> | \"Cloudburst\"<\/td>\n<\/tr>\n |
| 1995<\/td> | June<\/td> | 28<\/td> | Melbourne<\/td> | The Metro<\/td> | <\/td> | ?<\/td> | w. Itch-E and Scratch-E, Vision Four 5, FSOM<\/td> | <\/td>\n<\/tr>\n |
| 1996<\/td> | January<\/td> | 5<\/td> | Sydney<\/td> | Kinselas<\/td> | <\/td> | <\/td> | w. Itch-E and Scratch-E<\/td> | <\/td>\n<\/tr>\n |
| 1996<\/td> | March<\/td> | 5,6<\/td> | Sydney<\/td> | Horden Pavilion \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | w. Bjork (and Plaid?)<\/td> | -- LAWLER -- \nHad to drop third show on 7th<\/td>\n<\/tr>\n |
| 1997<\/td> | January<\/td> | 19<\/td> | Gold Coast<\/td> | Big Day Out<\/td> | <\/td> | BDO<\/td> | (Festival)<\/td> | \"The Boiler Room\"<\/td>\n<\/tr>\n |
| 1997<\/td> | January<\/td> | 27<\/td> | Sydney<\/td> | Big Day Out<\/td> | <\/td> | BDO<\/td> | (Festival)<\/td> | -- MAC OUT -- \nLast band to play at old BDO \ud83d\ude42<\/td>\n<\/tr>\n |
| 1997<\/td> | February<\/td> | 27<\/td> | Sydney<\/td> | Uni Bar<\/td> | <\/td> | <\/td> | w. Martian DJ, DJ Hex<\/td> | <\/td>\n<\/tr>\n |
| 1997<\/td> | ?<\/td> | ?<\/td> | Sydney<\/td> | DEX-FM<\/td> | <\/td> | DEX-FM<\/td> | <\/td> | live-to-air performance of \"Haul Ass\"<\/td>\n<\/tr>\n |
| 1997<\/td> | June<\/td> | 6<\/td> | Sydney<\/td> | UWS Milperra \ud83e\udea3\ud83e\udea3\ud83e\udea3<\/td> | <\/td> | Union<\/td> | w. Honky Fonk, Acoustic Craving<\/td> | \"You Die Fucker\" Required personal security ;-\/<\/td>\n<\/tr>\n |
| 1998<\/td> | January<\/td> | 24<\/td> | Sydney<\/td> | Homebake Festival \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Homebake<\/td> | (Festival)<\/td> | -- COLE -- \nin a damn tent<\/td>\n<\/tr>\n |
| 1998<\/td> | February<\/td> | 6<\/td> | Melbourne<\/td> | Punters Club, Brunswick<\/td> | <\/td> | Slaughter the Vinyl<\/td> | w. Voitek, One, Jack Quinn<\/td> | <\/td>\n<\/tr>\n |
| 1998<\/td> | July<\/td> | 10<\/td> | Sydney<\/td> | The Metro WBGTD<\/td> | <\/td> | Rollercoaster?<\/td> | w. Gondwana, Ronin Systems<\/td> | <\/td>\n<\/tr>\n |
| 1998<\/td> | December<\/td> | 5<\/td> | Sydney<\/td> | The Globe<\/td> | <\/td> | <\/td> | w. Endorphin, World Inc., White Trash Orchestra<\/td> | concert review found<\/td>\n<\/tr>\n |
| 1998<\/td> | <\/td> | <\/td> | Sydney<\/td> | Dracfest<\/td> | <\/td> | Rollercoaster<\/td> | <\/td> | -- COLE --<\/td>\n<\/tr>\n |
| 1999<\/td> | April<\/td> | 4<\/td> | Sydney<\/td> | The Globe<\/td> | <\/td> | Rollercoaster<\/td> | w. Size<\/td> | <\/td>\n<\/tr>\n |
| 1999<\/td> | August<\/td> | 27<\/td> | Sydney<\/td> | The Metro WBGTD<\/td> | <\/td> | Rollercoaster<\/td> | w. Underground Lovers, Sidewinder, 2 Litre Dolby<\/td> | <\/td>\n<\/tr>\n |
| 1999<\/td> | August<\/td> | 28<\/td> | Melbourne<\/td> | HiFi Club<\/td> | <\/td> | Rollercoaster<\/td> | w. Underground Lovers, Sidewinder<\/td> | <\/td>\n<\/tr>\n |
| 1999<\/td> | ?<\/td> | ?<\/td> | Sydney<\/td> | <\/td> | <\/td> | Rollercoaster?<\/td> | w. Endorphin<\/td> | <\/td>\n<\/tr>\n |
| 1999<\/td> | December<\/td> | 11<\/td> | Brisbane<\/td> | Bonapartes Hotel<\/td> | <\/td> | <\/td> | w. Pure Bunk<\/td> | -- COBB --<\/td>\n<\/tr>\n |
| 2000<\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | Travelling \/ Working at commercial print agency - no time for music<\/td>\n<\/tr>\n |
| 2001<\/td> | January<\/td> | 26<\/td> | Sydney<\/td> | Big Day Out<\/td> | <\/td> | Ear Stage<\/td> | (Festival)<\/td> | <\/td>\n<\/tr>\n |
| 2001<\/td> | October<\/td> | ?<\/td> | Newcastle<\/td> | Electrofringe<\/td> | <\/td> | This is not Art<\/td> | \"Turd Polish\" VJ Set first movement<\/td> | <\/td>\n<\/tr>\n |
| 2002<\/td> | January<\/td> | 23<\/td> | Sydney<\/td> | Horden Pavilion \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | BDO?<\/td> | w. New Order, Arthur Baker<\/td> | -- COLE --<\/td>\n<\/tr>\n |
| 2002<\/td> | June<\/td> | 17,18<\/td> | Sydney<\/td> | Dendy Cinema \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Sydney Film Festival<\/td> | <\/td> | -- JONES -- \nVideo retrospective<\/td>\n<\/tr>\n |
| 2002<\/td> | December<\/td> | 31<\/td> | Sydney<\/td> | <\/td> | <\/td> | Shannon O'Neill<\/td> | <\/td> | \"Shannon's New Years Eve Party\"<\/td>\n<\/tr>\n |
| 2003<\/td> | January<\/td> | 25<\/td> | Sydney<\/td> | Big Day Out<\/td> | <\/td> | Ear Stage<\/td> | (Festival)<\/td> | <\/td>\n<\/tr>\n |
| 2003<\/td> | May<\/td> | 7<\/td> | Sydney<\/td> | Hopetoun Hotel<\/td> | <\/td> | <\/td> | <\/td> | \"Op1.1 tracks\"<\/td>\n<\/tr>\n |
| 2003<\/td> | June<\/td> | 18<\/td> | Sydney<\/td> | Lanfranchi's Memorial Discotheque<\/td> | <\/td> | Disorientation<\/td> | w, Snagglepussy, Julius Ambroisine & Aaron Hull<\/td> | <\/td>\n<\/tr>\n |
| 2004<\/td> | March<\/td> | 11<\/td> | Sydney<\/td> | Lanfranchi's Memorial Discotheque<\/td> | <\/td> | Disorientation<\/td> | w. Winner<\/td> | <\/td>\n<\/tr>\n |
| 2004<\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | Spent most of this year on the soundtrack for The Ilustrated Family Doctor<\/td>\n<\/tr>\n |
| 2005<\/td> | March<\/td> | 10<\/td> | Sydney<\/td> | Metro WBGTD<\/td> | Australia<\/td> | What Is Music?<\/td> | w. The Residents, Chicks On Speed<\/td> | -- COLE --<\/td>\n<\/tr>\n |
| 2005<\/td> | May<\/td> | 22<\/td> | Sydney<\/td> | Hopetoun Hotel<\/td> | <\/td> | Clan Analogue<\/td> | w. Dsico, Valley Forge, Lunar Module<\/td> | \"Bob Moog's Birthday\"<\/td>\n<\/tr>\n |
| 2005<\/td> | July<\/td> | 7<\/td> | Melbourne<\/td> | Kaleide Theatre<\/td> | <\/td> | RMIT<\/td> | w. Botborg<\/td> | \"a night of audiovision\"<\/td>\n<\/tr>\n |
| 2005<\/td> | July<\/td> | 13<\/td> | Sydney<\/td> | Performance Space<\/td> | <\/td> | Liquid Architecture<\/td> | w. Beta Erko, LC Spastic Howitzer<\/td> | <\/td>\n<\/tr>\n |
| 2005<\/td> | October<\/td> | 1<\/td> | Newcastle<\/td> | Electrofringe<\/td> | <\/td> | This Is Not Art<\/td> | \"Turd Polish\" VJ Set 2nd Movement<\/td> | <\/td>\n<\/tr>\n |
| 2005<\/td> | October<\/td> | 11<\/td> | Sydney<\/td> | Sydney Conservatorium \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | ARIA Awards<\/td> | ARIA win best soundtrack<\/td> | <\/td>\n<\/tr>\n |
| 2005<\/td> | October<\/td> | 17<\/td> | Antwerp<\/td> | B.I.M. \ud83d\udc4d\ud83c\udffc<\/td> | Belgium<\/td> | Bodybeats<\/td> | BIMfest<\/td> | -- COLE --<\/td>\n<\/tr>\n |
| 2006<\/td> | June<\/td> | 21<\/td> | Sydney<\/td> | National Art School \ud83e\udea3<\/td> | Australia<\/td> | <\/td> | \"Over Barbara Island\"<\/td> | (Rained out, gig moved inside)<\/td>\n<\/tr>\n |
| 2006<\/td> | November<\/td> | 11<\/td> | Wagga Wagga<\/td> | Home Tavern \ud83d\udc4d\ud83c\udffc<\/td> | Australia<\/td> | Unsound<\/td> | \"Turd Polish\" VJ Set 3rd Movement<\/td> | \"Unsound 06\"<\/td>\n<\/tr>\n |
| 2006<\/td> | <\/td> | <\/td> | Detroit<\/td> | <\/td> | <\/td> | Fuse-In<\/td> | <\/td> | (Festival Cancelled)<\/td>\n<\/tr>\n |
| 2007<\/td> | October<\/td> | 27<\/td> | Brisbane<\/td> | QUT<\/td> | Australia<\/td> | QUT<\/td> | \"Upgrade Festival\" w. Boxcar.<\/td> | -- COLE -- \n(and 3 wall video installation)<\/td>\n<\/tr>\n |
| 2007<\/td> | December<\/td> | 4<\/td> | Perth<\/td> | Perth Town Hall<\/td> | Australia<\/td> | Byte Me<\/td> | \"Turd Polish\" VJ Set<\/td> | <\/td>\n<\/tr>\n |
| 2008<\/td> | August<\/td> | 30<\/td> | Wollongong<\/td> | 1\/4 Inch \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | Aaron Hull<\/td> | w. A Slow Rip, The Dead Sea, Modern Gong Ritual<\/td> | \"Carry On Experimental Musician' VJ<\/td>\n<\/tr>\n |
| 2008<\/td> | September<\/td> | 6<\/td> | Sydney<\/td> | Megaphon Studios<\/td> | <\/td> | Aaron Hull<\/td> | w. A Slow Rip, The Dead Sea, Modern Gong Ritual<\/td> | \"Carry On Experimental Musician\" VJ<\/td>\n<\/tr>\n |
| 2009<\/td> | Spent most of this year working on the high definition versions of the videos<\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 2010<\/td> | January<\/td> | 14<\/td> | Sydney<\/td> | Macquarie Barracks \ud83d\udc4d\ud83c\udffc<\/td> | Australia<\/td> | Sydney Festival<\/td> | w. The Reels, Stephen Mallinder<\/td> | -- LAWLER IN --<\/td>\n<\/tr>\n |
| 2010<\/td> | May<\/td> | 28<\/td> | Sydney<\/td> | The Metro WBGTD<\/td> | Australia<\/td> | Rainforest Rescue<\/td> | w.Snog, Spoonbill, Benza, Pitch Black<\/td> | \"Photosynthesis\"<\/td>\n<\/tr>\n |
| 2011<\/td> | March<\/td> | 8<\/td> | New York City<\/td> | NP Contemporary Art Center<\/td> | USA<\/td> | <\/td> | <\/td> | \"Video Retrospective\"<\/td>\n<\/tr>\n |
| 2011<\/td> | April<\/td> | 28<\/td> | Sydney<\/td> | \"New Weird Australia\" FBI Radio<\/td> | Australia<\/td> | Stu Buchanan<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 2011<\/td> | May<\/td> | 12<\/td> | Brisbane<\/td> | Tivoli<\/td> | Australia<\/td> | Metropolis<\/td> | w. Gary Numan<\/td> | <\/td>\n<\/tr>\n |
| 2011<\/td> | May<\/td> | 13<\/td> | Sydney<\/td> | Enmore Theatre<\/td> | <\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 2011<\/td> | May<\/td> | 14<\/td> | Melbourne<\/td> | Forum<\/td> | <\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 2011<\/td> | May<\/td> | 16<\/td> | Adelaide<\/td> | HQ \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 2011<\/td> | October<\/td> | 22<\/td> | Sydney<\/td> | Joan Sutherland Centre \ud83d\udc4d\ud83c\udffc<\/td> | Australia<\/td> | Joan Sutherland Centre<\/td> | w. Est Et Non<\/td> | \"Shape of a Note\" \nas Tom Ellard<\/td>\n<\/tr>\n |
| 2011<\/td> | December<\/td> | 16,17<\/td> | Antwerp<\/td> | B.I.M.<\/td> | Belgium<\/td> | Bodybeats<\/td> | BIMfest<\/td> | <\/td>\n<\/tr>\n |
| 2012<\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | Spent most of this year designing the computer game HH for Adelaide Festival and ABC<\/td>\n<\/tr>\n |
| 2013<\/td> | March<\/td> | 13<\/td> | Adelaide<\/td> | Adelaide Festival<\/td> | Australia<\/td> | Adelaide Festival<\/td> | w. Atom TM<\/td> | \ud83e\udda0Tom sick :-\/ Was also broadcast<\/td>\n<\/tr>\n |
| 2014<\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | <\/td> | Working new job at UNSW and preparing for USA Shows<\/td>\n<\/tr>\n |
| 2015<\/td> | September<\/td> | 18<\/td> | San Francisco<\/td> | Elbo Room \ud83d\udc4d\ud83c\udffc<\/td> | USA<\/td> | Cold Waves<\/td> | w. Cocksure<\/td> | <\/td>\n<\/tr>\n |
| 2015<\/td> | September<\/td> | 19<\/td> | Los Angeles<\/td> | Complex<\/td> | <\/td> | <\/td> | w. Cocksure, Costume<\/td> | <\/td>\n<\/tr>\n |
| 2015<\/td> | September<\/td> | 20<\/td> | Seattle<\/td> | Highline<\/td> | <\/td> | <\/td> | w. Product<\/td> | <\/td>\n<\/tr>\n |
| 2015<\/td> | September<\/td> | 23<\/td> | Austin<\/td> | Elysium<\/td> | <\/td> | <\/td> | w. SURVIVE ... Stranger Things guys<\/td> | <\/td>\n<\/tr>\n |
| 2015<\/td> | September<\/td> | 24<\/td> | New York<\/td> | Rough Trade \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | w. Statiqbloom<\/td> | <\/td>\n<\/tr>\n |
| 2015<\/td> | September<\/td> | 25<\/td> | Tampa<\/td> | The Orpheum<\/td> | <\/td> | <\/td> | w. PWEI, End Of An Era<\/td> | <\/td>\n<\/tr>\n |
| 2015<\/td> | September<\/td> | 26<\/td> | Chicago<\/td> | Metro \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | w. FLA, PWEI<\/td> | <\/td>\n<\/tr>\n |
| 2016<\/td> | May<\/td> | 26<\/td> | Sydney<\/td> | FBI Radio \ud83d\udc4d\ud83c\udffc<\/td> | Australia<\/td> | Kate Hennessy<\/td> | <\/td> | Ears Have Ears \"Beautiful Arabic Surface + Interview\"<\/td>\n<\/tr>\n |
| 2016<\/td> | August<\/td> | 13<\/td> | Sydney<\/td> | Fredas<\/td> | Australia<\/td> | Repressed Records<\/td> | w. Phile, Lortica, Jon & Hugh<\/td> | <\/td>\n<\/tr>\n |
| 2016<\/td> | October<\/td> | 21<\/td> | Krakow<\/td> | Unsound Festival<\/td> | Poland<\/td> | Unsound<\/td> | (Festival)<\/td> | <\/td>\n<\/tr>\n |
| 2016<\/td> | October<\/td> | 22<\/td> | Amsterdam<\/td> | Oedipus Brewing<\/td> | Holland<\/td> | Paradiso<\/td> | w. Crash Course In Science<\/td> | <\/td>\n<\/tr>\n |
| 2016<\/td> | October<\/td> | 23<\/td> | Antwerp<\/td> | Het Oude Badhuis<\/td> | Belgium<\/td> | Bodybeats<\/td> | w, Crash Course In Science<\/td> | <\/td>\n<\/tr>\n |
| 2016<\/td> | October<\/td> | 27<\/td> | Paris<\/td> | Le Chinois<\/td> | France<\/td> | La Fete Triste<\/td> | w. Jan Melnick, Moyo, Mu'Tammar<\/td> | <\/td>\n<\/tr>\n |
| 2016<\/td> | October<\/td> | 28<\/td> | Glasgow<\/td> | Glue Factory \ud83d\udc4d\ud83c\udffc<\/td> | Scotland<\/td> | So Low<\/td> | w. JD Twitch, Lorelei, Percy & Trix<\/td> | <\/td>\n<\/tr>\n |
| 2016<\/td> | October<\/td> | 30<\/td> | Berlin<\/td> | Arena Club<\/td> | Germany<\/td> | Mannequin<\/td> | w. Novo Line, Alessandro Adriani, Unhuman<\/td> | <\/td>\n<\/tr>\n |
| 2016<\/td> | November<\/td> | 4<\/td> | London<\/td> | Electrowerkz<\/td> | UK<\/td> | Rough Trade<\/td> | w. Crash Course In Science<\/td> | <\/td>\n<\/tr>\n |
| 2016<\/td> | November<\/td> | 12<\/td> | Melbourne<\/td> | State Library Victoria \ud83d\udc4d\ud83c\udffc<\/td> | Australia<\/td> | Smooch<\/td> | Melbourne Music Week (Festival)<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | February<\/td> | 4<\/td> | Sydney<\/td> | Newtown Social Club<\/td> | Australia<\/td> | Metropolis<\/td> | w. Itch-E & Scratch-E<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | June<\/td> | 1<\/td> | Sydney<\/td> | VIVID \/ Sydney Opera House \ud83d\udc4d\ud83c\udffc<\/td> | Australia<\/td> | Repressed Records<\/td> | w. Total Control<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | June<\/td> | 13<\/td> | Vancouver<\/td> | Rickshaw<\/td> | Canada<\/td> | Cold Waves<\/td> | w. Ohm, Wire Spine<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | June<\/td> | 14<\/td> | Montreal<\/td> | La Sala Rossa<\/td> | <\/td> | <\/td> | w. UN, Rhythm Of Cruelty, Radiovoid<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | June<\/td> | 15<\/td> | Toronto<\/td> | Velvet Underground<\/td> | <\/td> | <\/td> | w. Bulkhead<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | June<\/td> | 16<\/td> | Edmonton<\/td> | The Forge<\/td> | <\/td> | <\/td> | w. iVardensphere, Cygnets, Strvngers<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | June<\/td> | 17<\/td> | Calgary<\/td> | Dickens Pub<\/td> | <\/td> | <\/td> | w. Cygnets, Melted Mirror<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | August<\/td> | 19<\/td> | Melbourne<\/td> | Arts Centre \ud83d\udc4d\ud83c\udffc<\/td> | Australia<\/td> | Supersense<\/td> | w. Memory Field, Andy Sombay<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 19<\/td> | New York<\/td> | Irving Plaza<\/td> | USA<\/td> | Cold Waves<\/td> | w. Front 242<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 20<\/td> | Rochester<\/td> | Memorial Art Gallery \ud83e\udea3<\/td> | <\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 21<\/td> | Boston<\/td> | Once Ballroom<\/td> | <\/td> | <\/td> | w. Grutch, Isabella Koen<\/td> | \ud83e\udda0Tom sick :-\/<\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 22<\/td> | Austin<\/td> | Elysium<\/td> | <\/td> | <\/td> | w. PRIMO<\/td> | \ud83e\udda0<\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 23<\/td> | Houston<\/td> | Numbers<\/td> | <\/td> | <\/td> | w. Front 242, Leaether Strip<\/td> | \ud83e\udda0<\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 24<\/td> | Seattle<\/td> | Highline<\/td> | <\/td> | <\/td> | w. Distorted Respect<\/td> | \ud83e\udda0<\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 27<\/td> | Los Angeles<\/td> | The Regent Theatre<\/td> | <\/td> | <\/td> | w. Front 242<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 28<\/td> | San Francisco<\/td> | Mezzanine \ud83d\udc4d\ud83c\udffc<\/td> | <\/td> | <\/td> | w. Front 242, DIMENTIA<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 29<\/td> | Denver<\/td> | Black Box<\/td> | <\/td> | <\/td> | w. Echo Beds<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | September<\/td> | 30<\/td> | Chicago<\/td> | Metro<\/td> | <\/td> | <\/td> | w. Front 242<\/td> | <\/td>\n<\/tr>\n |
| 2017<\/td> | November<\/td> | 4<\/td> | Melbourne<\/td> | Corner Hotel<\/td> | Australia<\/td> | Metropolis<\/td> | w. SNOG<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | February<\/td> | 28<\/td> | Sydney<\/td> | The Enmore \ud83d\udc4d\ud83c\udffc<\/td> | Australia<\/td> | Orbital<\/td> | w. Orbital<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | March<\/td> | 3<\/td> | Adelaide<\/td> | University<\/td> | Australia<\/td> | Adelaide Fringe<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | May<\/td> | 22<\/td> | Glasgow<\/td> | Flying Duck<\/td> | Scotland<\/td> | Flying Duck<\/td> | w. Kubler-Ross<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | May<\/td> | 24<\/td> | Bristol<\/td> | Old Malt House<\/td> | UK<\/td> | Simple ThIngs<\/td> | <\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | May<\/td> | 25<\/td> | London<\/td> | EartH \ud83d\udc4d\ud83c\udffc<\/td> | UK<\/td> | Krankbrother<\/td> | w. Krankbrother, Alessandro Adriani<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | May<\/td> | 26<\/td> | Amsterdam<\/td> | Lente Kabinet \ud83d\udc4d\ud83c\udffc<\/td> | Holland<\/td> | Dekmantel<\/td> | (Festival)<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | May<\/td> | 29<\/td> | Stockholm<\/td> | Slakthuset<\/td> | Sweden<\/td> | Tinitus<\/td> | w. Xeno & Oaklander, Void Vision<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | May<\/td> | 30<\/td> | Barcelona<\/td> | Primavera<\/td> | Spain<\/td> | Primavera<\/td> | (Festival)<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | May<\/td> | 31<\/td> | Madrid<\/td> | Sala El Sol<\/td> | Spain<\/td> | El cuerpo del Disco<\/td> | (Festival)<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | September<\/td> | 11<\/td> | Seattle<\/td> | El Corazon<\/td> | USA<\/td> | Cold Waves<\/td> | (PWEI did not get US visa)<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | September<\/td> | 12<\/td> | San Francisco<\/td> | DNA Lounge<\/td> | USA<\/td> | <\/td> | w. Test Dept<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | September<\/td> | 13<\/td> | Los Angeles<\/td> | Regent Theatre<\/td> | USA<\/td> | <\/td> | w. Test Dept<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | September<\/td> | 14<\/td> | Houston<\/td> | Numbers<\/td> | USA<\/td> | <\/td> | (PWEI did not get US visa)<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | September<\/td> | 15<\/td> | Dallas<\/td> | The Church<\/td> | USA<\/td> | <\/td> | w. Aesthetic Perfection, Empathy Test, Lazerpunk<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | September<\/td> | 18<\/td> | Baltimore<\/td> | Soundstage<\/td> | USA<\/td> | <\/td> | w. Test Dept<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | September<\/td> | 19<\/td> | Brooklyn<\/td> | Bazaar<\/td> | USA<\/td> | <\/td> | w. Test Dept, Anatomy<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | September<\/td> | 20<\/td> | Detroit<\/td> | Leland City Club<\/td> | USA<\/td> | <\/td> | w. Fluxion A\/D vs Veldt<\/td> | <\/td>\n<\/tr>\n |
| 2019<\/td> | September<\/td> | 21<\/td> | Chicago<\/td> | Metro \ud83d\udc4d\ud83c\udffc<\/td> | USA<\/td> | <\/td> | (Festival)<\/td> | -- LONG BREAK --<\/td>\n<\/tr>\n |
| 2025<\/td> | July<\/td> | 20<\/td> | Friedrichshafen<\/td> | Cultural Centre<\/td> | Germany<\/td> | VOD<\/td> | (Festival)<\/td> | <\/td>\n<\/tr>\n |
| 2025<\/td> | July<\/td> | 21<\/td> | London<\/td> | Jazz Cafe<\/td> | UK<\/td> | Jazz Cafe<\/td> | <\/td> | -- EOF --<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n In case not obvious – \ud83e\udea3means it was horrible and \ud83d\udc4d\ud83c\udffcmeans there was something good about it.<\/p>\n","protected":false},"excerpt":{"rendered":" Severed Heads Live Shows With thanks to Penelope Courtney and all the contributors. In progress. In case not obvious – \ud83e\udea3means it was horrible and \ud83d\udc4d\ud83c\udffcmeans there was something good about it.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nilamox.com\/sevcom\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nilamox.com\/sevcom\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nilamox.com\/sevcom\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nilamox.com\/sevcom\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nilamox.com\/sevcom\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":5,"href":"https:\/\/nilamox.com\/sevcom\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":259,"href":"https:\/\/nilamox.com\/sevcom\/wp-json\/wp\/v2\/pages\/7\/revisions\/259"}],"wp:attachment":[{"href":"https:\/\/nilamox.com\/sevcom\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |